The Last Jedi: A departure from continuity

I can say, that for the most part, The Force Awakens left us with a great many possibilities that could unfold.

As production progressed on The Last Jedi, we discovered many tidbits of information that were leaked from various cast and crew members, allowing for a much clearer picture of what was to come; or so we thought.

When The Last Jedi begins, it immediately continues where The Force Awakens left off. This is something that has never occurred in a Star Wars film prior to it.

In the first moments of the The Last Jedi, we are greeted once again by an elder Luke Skywalker, who accepts his old lightsaber from young Rey.

Rather than asking her who she is, (or where his severed hand might be found) or how she got it, he tosses it over his shoulder, without uttering a single word!

As the story progresses we meet a much different Luke than the one we knew from forty five years earlier. Once a brave headstrong warrior, humble and full of hope, we now meet an old man destroyed by hubris.

It is difficult to imagine Luke Skywalker ever losing his focus, or his hope. In the words of Mark Hamill himself, “Luke would never do that, he would find a way.”

So we see a glimpse of the conflict continue between Mark Hamill’s vision for his character, and the one written for him to portray. Rian Johnson stated in defense that he needed Luke to be like Obi-Wan forty five years ago.

An older, wise sage to a younger generation. Every scene involving Luke was painful to watch, because none of it felt right. The most controversial and least liked scene of the entire film was the force projection of Luke dueling with Ben Solo.

Even the timing of Luke’s untimely death was contested by Mark Hamill, to no avail. Though there are many more aspects of the film that created uncontrollable backlash from fans, I have chosen to focus on these aspects for a reason.

Luke Skywalker appearing weary to an old friend, R2D2

The Last Jedi, in my opinion was the worst film in the franchise to date. It failed to develop the story of Rey, choosing rather to make her character a nobody, rather than a part of the Skywalker lineage.

Where she should have found control and discipline, we see disorder. Where she should have gained insight into a powerful past, we learn that her parents were just “filthy junk traders who sold her for drinking money.”

For those believing that those words were an intentional misdirection, I urge you to research Rian Johnson’s statement on that issue. His intent was to make Rey a nobody, and so he dashed to pieces the hopes of millions of fans worldwide.

From day one everything that was hinted at in The Force Awakens told us that she was somebody important, with J.J. Abrams himself stating that he intended for her origin to be of significant importance.

So why the change? Why the abuse and detriment of Luke Skywalker? To answer those questions, we must look at several decisions made.

First, unlike with George Lucas, there was no complete outline written for these films in advance. Each film was written and directed by a different person, with different visions.

Though there was creative discussions between Abrams and Johnson, there was no set path for them to agree upon. There was no outlined story treatment as in years past.

This in and of itself created the failures that we have seen. As part of the proposal for Disney to acquire Lucasfilm, George Lucas was required to present a draft of his version of the sequel films.

Unknown to fans, Lucasfilm was in the early stages ofdevelopment for Episode VII, when it was sold to Disney. Bob Iger ( and subsequently Kathleen Kennedy) rejected Lucas’ version of the story, as well as rejecting him as an advisor during production.

(When Gareth Edwards was tapped to direct Rogue One A Star Wars story, he flew George Lucas to Pinewood in London to get his input on production.

“George really liked what he saw” is what Gareth was later quoted as saying. I believe that Disney disagreed with the young director’s bold move to involve Lucas, and brought in a second director to conduct re-shoots as a form of reprimand.

Unlike the rumors swirling that Rogue One was a production nightmare like Solo, they simply weren’t true.

Nothing occurred during production of Rogue One that would necessitate either Lucasfilm or Disney to either question or remove Gareth Edwards as the film’s director.

The only changes that were agreed upon and made revolved around the film’s ending, which Gareth was not only a part of, but directing.

(Later on the tone would change as Lucas continued to be used as an off screen consultant. The Last Jedi may have been a financial success, but it was an utter failure as an integral chapter in the Star Wars universe.)

In addition to there not being an established story treatment for all three films in the sequel trilogy, there seemed to be an almost violent resistance by director Rian Johnson to accept input from Mark Hamill.

Had Johnson stopped to consider the role that he had prepared for mark’s character from his perspective, then surely it would have necessitated rewriting the script to adapt to a new direction.

In hindsight, the overall film may have only changed subtlety, but it would have given us a far richer story that would have been less fragmented.

In addition to Luke’s role, the Mary Poppins flight of Princess Leia, and the death of Admiral Ackbar are also thorns in the flesh for Star Wars fans.

One kills off a very memorable character in a very disrespectful manner; while the other portrays Leia in a very unbelievable and silly scene written just for the sake of having her character.

These are just three very noticeable, and unjustifiable mistakes made during the production of The Last Jedi. In my opinion they are arguably some of the poorest examples of storytelling that I have yet to see in a film.

With the conclusion of The Last Jedi, perhaps you were like me and left the theater still liking the overall movie, but disagreeing with the story ( I think that fact should at least be apparent by now).

So where does that leave us? And what are we to take away from this experience? First, the backlash from this film did not go unnoticed at Disney or Lucasfilm.

In fact, Kathleen Kennedy has stated this year that The Rise of Skywalker will live up to the Hype. I apologize if I am skeptical at this point. After all, we just saw the worst STAR WARS film in history!

Not to mention that three prominent characters die, having had no real depth to their story. (One of them in fact, Lieutenant Tallie Lintra, only had twelve seconds of screen time, before being blown out the hanger bay of the Raddus.

I don’t think that a character could have been wasted as fodder anymore than she was.) Next, we should not get fixated on the failures of this film, but rather see the moments that it did give us.

Lieutenant Tallie Lintra, the hottest new babe in Star Wars, gets twelve seconds of screen time before she’s gone!

In closing, the failures and success of The Last Jedi are influenced by our own point of view. For ultra passionate fans of Star Wars, we see it for what it failed to be.

It was and will always be a missed opportunity to deliver a truly great chapter at the end of a story. Many like myself have invested their entire life to Star Wars in some way or another, and this failure resonates deeply within.

Still others will see it as a great movie, and argue for it’s praises. Whatever side of the aisle you may be upon, The Last Jedi has in many ways, set the tone for The Rise of Skywalker.

The fate of the Star Wars universe is literally hanging in the balance, and in my third and final article on this subject, I will discuss what we know, and what we might expect from the final film in the Skywalker Saga.

The path to Episode IX

Seven years ago, Star Wars fans learned that Disney had reached an agreement with George Lucas to purchase Lucasfilm for 4.4 Billion dollars.

Bob Iger, CEO of Disney, wasted no time in announcing their plans to continue the adventures in a galaxy far, far, away with new films.

I would be lying if I said that I was anything but shocked. My initial thoughts were that Mr. Lucas must be ill, and unable to continue working; in actuality, nothing could be further from the truth.

Three years later in December 2015, Disney and Lucasfilm released Episode VII The Force Awakens. It would be the first film in a new trilogy meant to close out the story of the Skywalker family.

As I sat in the nearly empty theater, I was in tears for most of the film, and at the end I was all out balling at the sight of Luke Skywalker, who uttered not a single word!

As time went on, I began to pick apart things that I had seen, and soon discovered from sources within that all was not as it appeared.

Today, I want to take a look back at the direction that Disney and Lucasfilm have taken the sequel trilogy, and what we might expect from Episode IX.

I also want to reveal things that I have learned, as well as sharing my own point of view on this subject. Due to security concerns, the identities and job titles of these sources will not be listed.

They are however they are readily available online, and known to most who keep track of this sort of thing. So, without haste, let us eat a little, drink a lot, and discuss business…

The Force Awakens: Reinventing the wheel

Mark Hamill once stated that J.J. Abrams asked him how he could recapture what George Lucas had done with the original trilogy, to which Mark simply replied “You can’t.”

I learned of this conversation after The Force Awakens was released, and yet it’s gravity was immediately apparent.

I believe that Mark’s reply to Abrams was meant to convey that whatever story that he chose to tell, would have to be of his own doing. There simply is no way to copy someone else’s success.

For months I had read reports that the film was meant to be a soft reboot of sorts to the franchise, with a source close to production at Pinewood stating that very fact.

( Allow me to digress here and state that I am not a fan of reboots of any production. I often wonder why there isn’t anyone capable of writing new stories for films, without re-writing someone else’s work? I mean, shouldn’t that be a form of plagiarism?)

There are to be certain, many parallels between Episode VII and A New Hope. The wide angle shots of Rey on Jakku, the Starkiller base, and the Resistance attack on it are but a few familiar call backs that we see.

Others include The castle on Takadona, which emulates the Mos Eisley Cantina, as well as Rey herself emulating Luke in various scenes. We are also familiar with George Lucas’ vision, as well as his approach to storytelling.

He relied heavily upon Joseph Campbell’s mono myth, and the twelve stages of a hero’s journey to write Star Wars.

Campbell outlined a pattern of writing in which all things were interconnected, and eventually repeated themselves in some way, commonly called the ring structure.

In some ways, I could see the justification for continuing this method by a new writer/director. After all, why try to reinvent the wheel?

The sun sets on the horizon of Niima Outpost on the planet Jakku

Yet in some ways, I think that is exactly what Disney and Lucasfilm wanted to do with this trilogy, beginning with The Force Awakens.

I think that their intention was to retain elements that were familiar to fans of the original trilogy, while introducing new elements that could more readily be related to by younger viewers.

That intent has both a positive as well as a negative consequence. The positive connotation here is that in addition to the characters and stories that we are already familiar with, new heroes and villains emerge.

With that, we get to experience a whole new chapter in the Star Wars universe. The negative aspect that I see from this is that Disney is using the new characters, films, ext. to establish a new fan base ( and thereby a new base of consumers) from which to market to.

You’re probably thinking right now, “of course they did? How else are they supposed to make money?”

From my isolated perspective, I see the success of The Force Awakens. It excites the fans, they become enamored about Star Wars again.

Maybe they’re like me, and they left the theater for Wal-Mart, looking for a new action figure! In all seriousness, you get my point here.

One of the previously mentioned elements that they used is the protagonist herself, Rey. From the very first moment that we meet her on screen, Rey is somewhat of a mystery.

Where we learn a great deal about Luke early on in A New Hope, we know nothing about Rey four years later!

To complicate the story even more, we have the character of Finn, who in my opinion, is meant to be used as a Red Herring in The Force Awakens, ( and to a lesser degree in The Last Jedi.)

We know nothing about him, either, and are left to wonder throughout the film who the real hero or Jedi actually is. I understand that this was done to conceal Rey’s powers, but at the same time it is a question that still exists today, and remains to be answered.

We see Rey begin a journey, again much like Luke did some forty five years prior, but in a different way. Her path is not as clearly defined as Luke’s.

For example, the Force vision in Maz Kanata’s castle, and her talk with Rey, all point to Rey possibly being Luke’s daughter, as well as a new Jedi. Yet at no time has Disney or Lucasfilm ever acknowledged any of that.

Even today, Lucasfilm will not identify Rey as a Jedi in training, much less a Jedi Knight. So why all of the secrecy? Why allow fans to wane from burn out?

It begs to wonder what type of cinematic storytelling plot is at play here, and what are the fans to expect? Certainly no one expected the conclusion to the final act to not be a conclusion at all, but a cliffhanger.

Least of all, Mark Hamill himself. His only scene was delivering a painful gaze at a young girl. Rather than have some of our questions answered, we have none of them answered, and more are added to them.

I think that if there was any real idea from day one who Rey was or would become, that they used that idea to build upon as they went, rather than following the flow of an established outline.

J.J. Abrams has been quoted as saying that during his initial interview with Kathleen Kennedy, she asked him the question “who is Luke Skywalker?”

The details of that meeting have not been revealed, but certainly that question as vague as it is, seems to have little effect on what we have seen thus far.

After all, Luke Skywalker is just the central character of the Skywalker saga, and forty five years later, shouldn’t he have more to do than stand on a rock gazing at the ocean?

Jedi Master Luke Skywalker on the cliffs of Ach-To

Many critics of George Lucas believe that he too, had no established outline before production began on A New Hope, when in fact the opposite is true.

He had, in essence, a twelve part saga, which he re-wrote into nine parts. So the outline was present, with certain details being changed at various points in the production process.

These changes were made to aide in the plot of the script. (Those for example, who state that Vader was never intended to be Luke’s father, must go back to Obi-Wan’s account of Anakin’s death in A New Hope.)

The Force Awakens was a box office success, but will it be remembered as a great story, or as a re imagining of an unrivaled classic?

I guess that really depends upon your own point of view. Next week in part two, we will examine the lessons learned from The Last Jedi, and it’s impact upon the Skywalker Saga.

Hasbro’s Photo Real Technology

For those who have been asking about Photo Real, it is a proprietary technology developed by Hasbro’s Asian Division, for use on their action figures.

Specifically, the technology was developed for use on both the Marvels Legends assortment, as well as the Star Wars Black Series six inch figures.

The first Black Series figure released with this new design was DJ (Canto Bight, no. 57) from The Last Jedi assortment.

The technology has now been expanded to include the Vintage Collection 3.75 action figures as well as the Black Series assortment.

Star Wars The Black Series DJ (Canto Bight) by Hasbro. ( photo: starwars.com)


Though the details of the process are corporate secrets, we do know the general processes used. First, a three dimensional head sculpt of the character is created using high resolution images of the actors in costume.

These images are taken from every angle, and often include actual screen still captures as well. Once the blank mold is created, it is then overlaid with multiple images that are layered onto the cast in a program.

These layers take larger segments of the actor’s facial features, and divide them into smaller sections in order to maximize details.

Once the overlay process is complete, it is hand painted. This completed cast is used to print another rubber cast, which is then broken down into sections. These sections are then used to mass produce the head sculpt at a later date.

The final printing process is the primary feature that Hasbro is silent about. For the most part, the figures look realistic, though I have seen several Black Series figures where the eye placement was off.

I will say that the Marvel Legends figures seem to be a better quality than the Black Series figures are. Case in point, look at the image of the Wasp from Ant Man. The head sculpt is identical to the actress, Evangeline Lilly.

The Star Wars figures do not have that same level of detail, and only Hasbro can answer why. The ability is certainly there, but the Marvel figures appear thus far to be the most life like in appearance to the actors they represent.

Before the Photo Real process was developed, the same character scans used by Hasbro were also used by every company creating figures, including Sideshow.

Known for their extreme articulation and lifelikeness, the Sideshow figures command a much higher price point, and the value is apparent right out of the box.

Marvel Legends The Wasp ( photo courtesy of shesfantastic.com)

Hasbro’s newest series, HyperReal, is set to debut Quarter three of this year, and will also utilize the Photo Real technology.

I believe that this line will feature far greater detail than the Black Series figures, and this is due in part to the scale.

One sixth scale figures feature more surface area on their head sculpts, allowing for greater detail and lifelike features to be incorporated.

The goal of the Photo Real technology was to take that same level of detail, and scale it down for use on the one twelfth scale figures like the Black Series and Marvel Legends.

Action figures have undergone many changes over the past forty five years, and Star Wars is no exception.

Most of these changes have been for the better, however some have been made strictly to cut cost.

With the role of expanding technology and companies under pressure to save money, ideas like Photo Real will become increasingly vital to the survival of the collector’s market, and toy industry at large.

Why Stormtroopers shoot from the hip

Stormtroopers boarding a Rebel corvette

Introduction

If you have seen any of the original trilogy Star Wars films, then you have certainly seen the Empire’s favorite PR guys, the Stormtroopers.

These Imperial soldiers are an elite contingent within the Imperial Army. The Stormtrooper Corps is a shock force used in support of ongoing Imperial conflicts, as well as serving as an occupational force on Imperial controlled worlds.

They are deployed on every Imperial vessel, and often serve as elite security teams for high ranking officers and officials.

Stormtroopers are divided into divisions, and include specialized compartmentalized units within their ranks as well.

Their presence is as much a psychological deterrent as a military force, and just their appearance is often enough to bring order to a chaos.

Stormtroopers utilize specialized body armor, that is derived from the original armor used in the clone wars. The armor consists of eighteen pieces, plus a fully enclosed helmet.

It is designed to both protect the wearer from light blaster fire, as well as varying atmospheric and climatic conditions. It is lightweight, durable, and strong.

When deadly force is required, Stormtroopers are equipped with the standard Blastech E-11 carbine, which uses a small macroscope to aide in target aquisition.

So if their weapons have scopes, then why don’t they use them? The short answer is, they can and they do. A Stormtrooper’s helmet contains a remote link to their weapon sights, which appear as a small Heads Up Display ( HUD) on their helmet’s eye lens.

This targeting reticle is super imposed over the threat, allowing the Stormtroopers to fire their weapon without actually acquiring a proper sight picture.

Stormtroopers board the Tantive IV

In Rogue One A Star Wars Story, we see a squad of Stormtroopers serving as a dismounted patrol around an Imperial Assault tank.

When the tank is ambushed by insurgents, the troopers are taken by surprise, but quickly begin to recover. They take up defensive positions around the tank, and aim their weapons using the actual sights.

This is a departure from what we have previously seen on screen, albeit it is a more realistic portrayal of military tactical shooting techniques.

All Stormtroopers would of necessity be required to become expert marksman, before being trained in the use of remote sight aquisition through electronic aides.

It’s a great example of soldiers instantly falling back to their training, and using crucial skills to eliminate the threat, and stay in the fight.

Stormtroopers ambushed on Jedha engaging threats

Stormtroopers are among the most highly trained soldiers in the galaxy, and the most well equipped. They have the ability and the armament to engage and eliminate any threat that they may face, making them a deadly adversary for the Rebel Army.

The spirit of Darth Sidious

Darth Sidious

For weeks now we have heard that actor Matt Smith will portray a Sith acolyte in Star Wars The Rise of Skywalker.

The part of this rumor that is most fascinating, is that this acolyte will in fact be posessed by the spirit of Darth Sidious!

That’s right; Emperor Palpatine himself is said to return, only as a spirit from the netherworld of the Force.

During Revenge of the Sith, it was Palpatine who shared with a young Anakin Skywalker the Sith legend of Darth Plagieus the wise, and his ability to manipulate the midichlorians.

This dark side power enabled the Sith Lord to prevent others from dying; it did not however prevent himself from being killed by his young apprentice, Darth Sidious.

Chancellor Palpatine/ Darth Sidious and Anakin Skywalker

Since Darth Sidious/ Palpatine learned this evil ability, then it stands to reason that he had the ability to use it as well.

For this to be done in Episode IX, I want to look further back to a light side force user, a Jedi Knight, for answers on how it could play out.

In Star Wars Revenge of the Sith, Jedi master Yoda informs Obi-Wan Kenobi that his old master, Qui-Gon John, has returned from the netherworld of the Force.

It is implied that Qui-Gon has conversed with Yoda; something we see in Star Wars The Clone Wars.

If then a Jedi can maintain their eternal consciousness, then why not a Sith? In Legends material, it has been seen more than once, including with Emperor Palpatine.

This then is a highly probable plot twist for Episode IX. It seems likely that if this is indeed accurate, that Kylo Ren and Rey joining forces to defeat the Emperor is also plausible.

It would certainly make for an interesting plot, and would be a fitting way to bring a conclusion to the Skywalker Saga.

Fans the world over have waited for thirty six years to see a fitting end for their hero Luke Skywalker, and though The Last Jedi failed to offer that, then perhaps the story will come full circle, and bring closure in Episode IX, with both the hiers and legacy of the Force.

The Skywalker Legacy

Rey using the Force to flip over a TIE fighter in Episode IX


Everyone in fandom wants to know who Rey is? More specifically, Is Rey a Skywalker? For certain, we won’t know until Star Wars Episode IX is released in theaters in December. We might get a glimpse of that on Friday with the trailer. For now, I want to discuss the implications of Rey’s parents as a matter of impact upon the Skywalker Saga, and what it would mean moving forward. This is, of course my own perspective, and not something to be taken as any sort of confirmation one way or another.

The sequels in many ways are a soft reboot to the franchise, and at their heart is a young girl, Rey. Abandoned by her family on the desert world of Jakku, we find in Rey a character not unlike Luke.

As The Force Awakens reveals many callbacks and similarities, it also presents many unknowns. One constant throughout the film are the many connections to Rey and to the Skywalkers.

First, the desert world itself, where Lor San Takka dwells in a village not far from where Rey lives, and yet she seems to have no knowledge of him.

Then, we find her means of escape, the Millennium Falcon, which is conveniently parked on her doorstep.

Rey’s interaction with Han Solo on Takadonna further add weight to her lineage, as is the unseen conversation between Han and Maz Kanata.

All of this add a piece to the puzzle, but it isn’t until Rey finds Luke’s lightsaber that we see our most powerful connection to date.

When Maz finds Rey, she tells her that the person she seeks is in her future, to which Rey whispers Luke.

All of these are potential hints as to what we as fans want to know: Is Rey Luke’s daughter? Personally, I am going to be disappointed if she isn’t.

Maz Kanata and Rey

It would mean that the past four years have been wasted waiting for an answer that we didn’t get.

Daisy Ridley herself stated that she thought the answer was obvious to those who had seen The Force Awakens, however she soon realized that it wasn’t.

In my opinion, it would make for a very fitting end to the Skywalker Legacy, and would make Luke’s death a more meaningful event in The Last Jedi. It would, in many ways, bring balance to the Force.

The Journey Begins

The launch of this website is the realization of a dream that I have had for several years. I began my creative journey in 2011 with a simple fan fiction story, which evolved into a short novel.

Four years later, I began recording toy reviews on YouTube, with nothing more than a cheap smartphone stacked on top of some books on my desk.

The following year, I continued to expand my interests by customizing Star Wars toys, and discovered talents that I never knew existed.

In the summer of 2016 I was invited to serve as contributing columnist for Outer Rim News, a third party Star Wars news site, which I was allowed to serve until January 2019.

Today, I am excited to share my passion for science fiction and fantasy through the use of social media, and now this website.

What sets me apart from other enthusiasts and fans, is the fact that I am disabled, and enduring a life long struggle from the effects of Autism and SPD.

Through years of disappointment, failures, and heartache, my pain has become the power of my passion, which I am very proud of.

It is a way to share with the world the gifts that God has granted me to use, in order to live a fulfilled and happy existence on this tiny, Blue marble in the vast backdrop of the universe.

So welcome to my site, enjoy my work, and feel free to contact me with your creative ideas, and let’s turn them into a reality.