I began Dark Horizon Creations as a platform to share my love and passion for Star Wars. It has expanded to include this blog, as well as an official Facebook page, Instagram account, and YouTube channel.
For months now the anticipation and excitement surrounding Disney’s new live action Star Wars series The Mandalorian has permeated social media; but was it all for nothing, or is it a new era in the Star Wars universe?
I first became aware of the project last year, and I began to follow the development of the show through inside sources, who leaked information and set photos from time to time.
I must admit that after reading all of the leaks and news reports surrounding the series that I was both excited and optimistic.
One thing that I saw from the first trailer was the fact that this show appeared to have the creativity and imagination that the Original Trilogy is known for, and that the sequel films sorely lack. These initial impressions were confirmed tonight as I watched the first episode on Disney Plus.
The show is set five years after the events of Return of the Jedi, and thirty years before the events of The Force Awakens.
The galaxy is splintered after the fall of the Empire, as the New Republic seeks to restore freedom and a peaceful, galactic government. The euros in the Outer Rim however, remain hostile, lawless, and unpredictable.
The opening sequence of The Mandalorian brings us face to face with a character who is both new, and yet familiar. Wearing Beskar armor similar to Boba Fett, we see our protagonist standing in the midst of an icy waste land, with a tracking device in hand.
His actions and demeanor don’t disappoint, as we follow the anti-hero on a quest that takes him to unsavory worlds where he meets with people that we don’t trust, and neither does he.
There are dark tones of desperation, and lighter moods of well balanced humor. All of it feels and looks like the Star Wars created by George Lucas.
Indeed, there is a wild west type atmosphere to what we see in The Mandalorian. There are dusty streets occupied by vendors, with the poor living in the shadows. It’s a desperate time for all, and many have chosen to profit from it any way they can. The Mandaloria. is the ultimate gunslinger, and his presence commands everyone’s attention.
I have to say that The Mandalorian has quickly become a personal favorite, simply because it is so authentic and real!
While watching the show I could picture myself living in that kind of environment, on a particular world. I didn’t get that with the sequels.
The only modern entry into the Star Wars franchise that is on level playing field is RogueOne.
The Mandalorian delivers a well thought out story, and features great acting and great cinematography. Most of all, it takes us back to that era a long time ago, in a galaxy far, far, away where we were all captivated by Star Wars. Perhaps now, we can be captivated once more.
The weapons used in the Star Wars films are as iconic as the characters that weild them, and often leave us intrigued about their design and origin.
Today I am going to share some of the real world weapons that have served as the basis for many of the props used throughout the Star Wars saga.
The Original Trilogy
Beginning in 1976 with filming of A New Hope, the prop armorers at Pinewood had to develop realistic blasters that reflected an in universe feel to them.
George wanted weapons that appeared real in their form and function, while also being rugged and well worn. For this the armorers turned to surplus weapons stores.
Most of the weapons they selected were from World War One and World War Two, AB’s were British and German in origin.
One of the most prominent was the Stormtrooper blaster, which was designed around a British Sterling L2A3 Mark 4 submachine gun. This post- WW2 era weapon was used by the British Military from 1953 until 1994.
The Sterling L2A3
It featured a collapsible and folding stock, as well as a side mounted magazine well to accept a thirty round curved, box magazine.
To make the Imperial Blastech E-11D used by the Stormtroopers, the props department added linear shrouds over the barrel.
They left the stock as is, while adding greeblies to the side of the weapon, and they used WW2 tank scopes for the sights. The thirty round magazines were replaced with short, straight mags For screen use.
For the Rebel Fleet Troopers the armorers made their Blastech DH-17 blasters by utilizing the same Sterling machine gun.
They removed the barrel shroud and replaced it with a shop made prop barrel, and they also removed the folding stock and magazine well.
An extra rod was attracted to the top of the receiver, and a single point scope was added to most versions of the weapon.
Princess Leia’s Drearian Arms Defender sporting blaster was built around a Russian .22 target pistol with a modified barrel.
Han Solo’s iconic DL-44 Blaster was based on a WW2 C96 Mauser. It too, featured heavy modifications with a muzzle device, a heat sink in front of the mag well, and a side mounted targeting scope.
This particular prop had three different versions used by Solo in each of the three films. All had slightly different barrels and muzzle devices, and different scopes.
C96 Mauser used for the DL-44 Blaster
Ponda Baba’s blaster was an SE-14c ( Also used as a sidearm by the Death Troopers in Rogue One ) which was made from a Swiss Rexam Favor Mark 5 submachine gun.
The barrel and stock were removed, while an extension was added to the rear of the receiver, as was a scope.
The Stormtroopers patrolling Mos Eisley were all armed with modified MG34s, MG42s, and at least one trooper with a modified Lewis Machine gun.
Stormtrooper carrying a Lewis Machine gun
In The Empire Strikes Back we see the Rebel ground forces carrying Blastech A295 carbines, which are modified versions of the German MP44 machine gun.
Later in Return of the Jedi, the Rebel soldiers are seen carrying the A280, which was made from a cast of the M-16 rifle.
Boba Fett is seen carrying a unique blaster, which actually began as a Webley & Scott No.1 Mark 1 37mm flare gun. The end of the barrel was plugged, and greeblies were added as well as a scope.
Rogue One
In Rogue One, the Rebels primary weapons are again based on the M-16. This includes Cassian Andor’s Blastech A280-CFE, as well as the larger A310 rifles and A300 carbines used by the Rebel Pathfinders.
Jyn Erso’s iconic Blastech A180 blaster is actually a modified Luger 9mm Airsoft pistol. A larger diameter ported barrel has been added, along with greeblies on the bottom and sides of the weapon. Interestingly, Jyn’s blaster is modular, however we never see it configured as a rifle on screen.
Jyn Erso’s A180 Blaster pistol
Functionality
During production of A New Hope and The Empire Strikes Back, most of the weapons fired blanks to assist with visual cues for the actors, as well as aiding the visual effects artists during post-production.
This was not continued during filming of Return of the Jedi. It is however, used again during Rogue One, in the form of airsoft guns.
The image below captured during filming shows Jyn Erso firing her A180 blaster pistol at a Stormtrooper.
You can clearly see the gases being vented around the charging handle as the action cycles during firing.
Jyn Erso firing her A180 blaster
Conclusion
These are just a few examples of the real world firearms that have been used by the props department of both Lucasfilm and Pinewood Studios to create the weapons of the Star Wars films.
The armorers took inspiration from the tragedies of warfare, and designed an array of space age blasters that would go down in cinematic history.
In Star Wars The Last Jedi we are introduced to a young A-Wing pilot with the Resistance, Lieutenant Tallison “Tallie” Lintra.
Tallie is a squadron leader from Pippip three, where she learned to fly from her father, who used an old RZ-1 A-Wing as a crop duster.
Tallie is mature for her age, and a competent leader, but unfortunately she only gets twelve seconds of screen time before she’s seemingly killed.
Yep, that’s right: one of the newest and most fascinating characters of the entire film buys the farm when a concussion missile fired by Kylo Ren detonates inside the hanger bay of the Raddus.
The question is, did she and the other pilots really get killed? To answer that, we need to examine the factors involved with this incident.
First, we will look at the weapon being used, then at the Raddus itself. Finally we will examine Tallie’s A-Wing fighter to determine what if any chance she had to survive.
Concussion Missiles
Starfighters are generally equipped with weapons designed around ship to ship engagements, such as medium or heavy laser cannons.
These weapons are normally supplemented by kinetic energy weapons such as concussion missiles, mag pulse warheads, and proton torpedoes.
The assortment and type of weapons payload depends upon the size and type of fighter, and what role it is designed for.
In The Last Jedi, Kylo Ren is flying a TIE Silencer, which is an updated and more heavily armed variant of it’s predecessor, the TIE Interceptor.
The TIE Silencer was designed to both engage enemy fighters, as well as capital ships. The Silencer is equipped with four Concussion missiles, and Kylo Ren flies into the Raddus‘ amidships area, which protects the hanger bays, before firing two of these missiles.
Kylo Ren firing concussion missiles
We see on screen as both missiles penetrate the magnetic field and detonate inside the hanger bay. The Concussion missile is designed around a solid penetrator they can pierce a ship’s hull, before the warhead itself detonates.
The destruction is caused by the concussion wave from the blast, as it rapidly expands outward in all directions.
The Raddus
The Raddus was an MC85 Mon Calamari star cruiser, purpose built for the New Republic Defense fleet as a warship.
It was larger than the preceding MC80c class, better shielded, and heavily armed. After it was retired from service during the New Republic draw down, it found it’s way to the Resistance as a gift from the Mon Calamari government.
The Raddus was equipped with a newer, experimental shielding that could withstand heavy bombardment from enemy weapons.
The Raddus
It’s weakness was in the hanger bay. When it was attacked by Kylo Ren, both of his concussion missiles struck the interior bulkhead of the hanger bay before detonating.
The delayed detonation instantly ignited nearby fuel cells and munitions, which in turn destroyed most of the vulnerable fighters on the flight deck.
Had the missiles simply detonated inside the hanger, the resulting blast would not have caused the same amount of damage.
In either case, the blast would have destroyed the magnetic field, opening up the hanger to the vacuum of space, which would have instantaneously extinguished any fires In the bay.
At the same instant the ship’s systems would have detected the pressure and temperature change, instantly sealing the blast doors to the hanger bay.
Detonation inside the hanger
Tallie’s A-Wing
Tallie Lintra was flying the RZ-2 A-Wing Interceptor, the latest evolution of the ship designed by Kuat Systems Engineering.
Among other features, the RZ-2 incorporated a reinforced canopy, and armored hull. The cockpit was also protected by it’s own individual deflector shield generator.
On the flight deck, it’s unlikely that Tallie would have powered up the deflector shields, however she did have her canopy sealed.
Another advantage was in the positioning of her fighter; it was parked beside Poe’s X-Wing, near the back of the hanger bay.
Tallie’s A-Wing positioned inside the hanger
During the attack scene, we can actually see Tallie’s A-Wing as it is slid across the deck, slamming into the bulkhead before the blast doors automatically sealed.
So what happened to Tallie Lintra? What we aren’t shown on screen is that as soon as those blast doors closed, the hanger bay was exposed to the vacuum of space to extinguish the fire inside of it.
The instantaneous depressurization of the hanger bay would have blown everything inside of it out into open space, including Tallie’s A-Wing.
RZ-2 A-Wing schematic
The most logical conclusion is that Tallie was not killed, merely renderd unconscious from a concussion.
She and her fighter would have drifted out into space along with the other debris. The First Order would not have considered inspecting the debris field, as their objective was to annihilate the Resistance fleet.
As for her fighter, the hull most likely was intact, but not flyable. Presuming that the cockpit remained pressurized, Tallie would have had enough oxygen onboard to survive for roughly thirty six hours before succumbing to oxygen deprivation.
So technically, Tallie could have survived. The question is, did she? If you want to find out, you’ll have to wait for the upcoming novel Rebel Strike to be released. Good luck, and May the Force be with you….
Actress Jaci Twiss as Jaina in Legacy of the Force
In 2015 Star Wars fans returned to a galaxy far, far, away to continue the journey of the Skywalker Saga with Episode VII The Force Awakens.
In this film we are introduced to a new protagonist in the character of Rey, a nineteen year old girl who survives as a scavenger on the desert world of Jakku.
We see in Rey many reflections of the legendary Luke Skywalker, Jedi Knight and hero of the Republic.
We also glimpse familiarities with Han Solo. As her journey continues, we see the potential for Rey to be an heir of the Force; but is that really who she is meant to become?
Rey also shares some stark similarities with another heroine, not so different from Rey herself.In this week’s blog, I want to introduce readers to a fan favorite from the Expanded Universe, who may have served as the inspiration for Rey.
I also want to provide readers with a comparison of the two characters, while allowing them to determine for themselves who really is an heir of the Force.
Before there was Rey
Beginning in 1993 fans were introduced to the children of Han and Leia Solo in Timothy Zahn’s novel The Last Command.
The oldest of the two children were twins, Jacen and Jaina Solo. Both children were strong in the Force, and went on to train with their uncle, the Jedi Knight Luke Skywalker.
Both of the Solo children would become Jedi Knights, with Jaina especially becoming pivotal within the new Jedi Order formed by Luke Skywalker.
It would be Jaina which in later years was forced to confront her twin brother Jacen after he turned to the dark side and became Darth Cadeus.
She would find help from an unlikely ally in Boba Fett. Aging and retired, Boba Fett used his knowledge of lightsaber combat to help Jaina attain skills that she previously did not have.
She would go on to face her brother again, and defeat him being forced to take his life. Her actions would push Jaina dangerously close to the dark side herself.
Jaina Solo battles Vestara Khai
A Parallel unrivaled
Both Jaina and Rey share nearly identical qualities in that they are both intelligent and head strong, Force sensitive, skilled mechanics and pilots.
They both are also skilled with a lightsaber. They both have played with the dark side of the Force, and walked away from it. This is where the similarities seem to end; or do they?
While Jaina’s character has a twin brother, Rey apparently is an only child, whose adversary is in Ben Solo.
While Jaina has a clearly defined path and upbringing from the beginning, Rey seems to be an abandoned girl left on a desert world, almost as a slave to Unkar Plutt.
Where Jaina is a natural leader, Rey is just a simple girl who is beginning to learn how to fight.
Rey training on Ach-To
Both women are purpose driven characters which can not only carry the plot within the story, but they themselves become a plot of sorts on their own.
Both are nearly identical, and yet different, which leads us to consider what these characters mean in the greater narrative of the Skywalker legacy?
First, regardless of Disney and Lucasfilm choosing to rebrand the Expanded Universe material as non-canonical, we will continue to have these stories with us.
They are, with the exception of a few instances, within a solid structure and timeline which is more widely accepted and enjoyed by older fans.
It is another means by which fans can enjoy the Skywalker legacy, which continues far beyond the stories told in the original trilogy.
Jaina’s story is just as tangible as Rey’s, having recently been released by Hasbro as an action figure in it’s Black Series line.
Both the reception of fans to the figure, as well as it’s unforseen sales were a welcome surprise to Hasbro’s marketing team.
The figure ended up selling more units than they anticipated. That one factor speaks volumes from the fan base. I should know, I own two of them!
Jaina Solo Black Series Action Figure
With Rey, we see many possibilities, and few if any facts. Disney and Lucasfilm have used her character to fuel the fire so to speak in order to attract a newer, younger generation of fans.
They specifically have marketed her to young girls. They have used her character to play upon the feminist agenda and movement, and to great effect. What they have failed to do with Rey is give us hope.
Hope in what you ask? Hope in a new generation of Skywalkers who would carry on the ways of the Force.
At every opportunity they have denied Rey’s lineage, and even denied that Rey is a Jedi Knight. If not a Jedi, then what is she?
Rey has remained a mysterious plot device, which could very well having a far more negative effect upon the franchise in the future.
In my opinion Disney and Lucasfilm should have accepted the Expanded Universe material as George Lucas had, and used these existing charcters to continue the Skywalker Legacy.
It would have made for an emotional tipping point in Star Wars history, and been a far better means to honor the writers who have devoted their lives to this franchise.
Rey’s story will continue with Episode XI, and perhaps then all of the loose and tangled threads of the sequel trilogy will come together to form a more satisfying conclusion.
As for Jaina, we may never know if she served as the inspiration for Rey’s character, but what is apparent is that though they share similarities, they are worlds apart.
Perhaps one day we’ll learn that it was Jaina that was meant to be in George Lucas’ sequel trilogy. If so, I can only imagine where she would have taken us.
When the teaser trailer for The Rise of Skywalker was released, I have to say that I was both excited and skeptical.
Could Episode XI bring us any hope? Could this film potentially undo all of the damage done by the mistakes of the previous two films, and somehow restore the glory to the Star Wars franchise?
Would Lucasfilm demonstrate to the fans that it’s still about the story, and not about the money? In all honesty, I don’t know.
I have heard a lot of good things during production, and I think that there may be elements of fan service there, but the one thing fans have cried out for the most, seems to be out of reach.
The fact that Rey most likely is not Luke Skywalker’s daughter will be a very tragic mistake for these films, and worse yet if she really does turn out to be a nobody.
To title the film The Rise of Skywalker and she not be a Skywalker is in my opinion, click bait of the worst kind. If she did turn out to be Luke’s daughter, then that single fact would make this journey worth the wait.
Rey attacks a new TIE fighter in Star Wars The Rise of Skywalker
We already know that Ben Solo is by blood, a Skywalker, but the film has never really been about him; or has it?
Is there a deeper connection between Ben and Rey as some have suggested? Or is this too, simply the rumor mill at play?
Mark Hamill stated about a year ago that he had read George Lucas’ script for the sequels, and they were a much different story than what we have been given by Disney.
I took his tone to imply that he approved of them as well. Though we may never know what his story entailed, I have been given one solid piece of information about them, and that is Luke Skywalker dies in the final film.
It would have been a far more appropriate way to close out the story of the Skywalker family, and an appropriate way to honor the actors involved.
To kill off major characters in each film, is simply writing them out of the story for the sake of a convenient plot point. It bypasses the gravity of the character, and what they mean to the larger narrative at work.
I do believe that Episode XI will feature great action sequences, and that sense of adventure that we have come to see in these new Disney era films, but I cannot believe at this point that it alone will redeem the sequel trilogy.
I hope that I am wrong, and that Lucasfilm surprises us all, but I simply cannot allow myself to believe in that, based upon what we have already know.
If popular culture is anything, then trends speak volumes, and Google trends has a lot to say right now about Star Wars.
According to a recent article by the website JediBusiness, their research into current analytics show that interest in The Rise of Skywalker is at an all time low.
That is not good news for this franchise. Why you ask? First, it speaks volumes about Disney and Lucasfilms marketing campaign and strategy.
What role will Ben Solo play in The Rise of Skywalker? And will he ultimately be redeemed like Anakin?
They made a mistake by waiting months to reveal the teaser, and we have yet to see a full trailer. In addition, The Rise of Skywalker will not be featured at San Diego Comic Con this year.
In my opinion, that is a serious mistake. SDCC is THE annual event if you are a fan of anything fantasy/ sci-fi. To exclude what is marketed as the biggest film of the year from that event, means something is wrong.
Furthermore, this is the final chapter of the Skywalker Saga, and the last Star Wars film scheduled for several years.
Nothing about this adds up. Perhaps Lucasfilm has an aggressive marketing strategy planned to coincide with Triple Force Friday, the premier event revealing tie-in toys for the film, but not everyone will be interested in that.
Many fans are new to the franchise, and are simply wanting to be entertained, and enjoy a great film.
It leaves many questions unanswered, and points to The Rise of Skywalker possibly not being the success that Disney might want it to be. I hope that I am wrong, but at this point nothing can be ruled out.
Final thoughts
It has been a lifelong journey for most of us, and I believe that George Lucas set out to tell a story, and he devoted his life to that purpose.
Along the way his company expanded into a four billion dollar plus operation, that has been involved with every form of entertainment and media.
His dream of completing his vision for Star Wars continued in 1995, as work began on what would become the Special Editions.
Behind the scenes, a new trilogy of Star Wars films had secretly begun development as well. The Prequels were not well liked or received by some, and the backlash from fans both angered and hurt Lucas.
He vowed to never make another Star Wars film again. In my opinion, I could empathize as to why he was hurt, and I also believe that this may have played a part in Lucas’ decision to sell Lucasfilm to Disney.
Now that the franchise has been sold, I see changes both good and bad. Had we gotten Lucas’ version of the sequel trilogy, I believe that they would have been critically successful, and gone down in history as some of the most emotional stories ever seen in a film.
Unfortunately, that isn’t where we are. Good or bad, failure or success, The Rise of Skywalker has completed principal photography, and is destined for theaters in December.
I hope that it delivers a powerful story that resonates with us all, and brings all of the films together in a meaningful way.
I hope that it isn’t just a fan service move by Disney, or viewed as only a marketing tool to rake in the revenue. Somewhere, I hope that deep in the hearts of everyone involved, that they care as much about this story as we do.
In the end, whatever this film may bring, Star Wars will live on, and the hope that it inspires in us all will continue to exist beyond these films.
Perhaps one day we can look back, and read a different account of these stories, that was never made. It would be a fitting way I think, to say goodbye to the Skywalker legacy, and Star Wars as we know it.
I can say, that for the most part, The Force Awakens left us with a great many possibilities that could unfold.
As production progressed on The Last Jedi, we discovered many tidbits of information that were leaked from various cast and crew members, allowing for a much clearer picture of what was to come; or so we thought.
When The Last Jedi begins, it immediately continues where The Force Awakens left off. This is something that has never occurred in a Star Wars film prior to it.
In the first moments of the The Last Jedi, we are greeted once again by an elder Luke Skywalker, who accepts his old lightsaber from young Rey.
Rather than asking her who she is, (or where his severed hand might be found) or how she got it, he tosses it over his shoulder, without uttering a single word!
As the story progresses we meet a much different Luke than the one we knew from forty five years earlier. Once a brave headstrong warrior, humble and full of hope, we now meet an old man destroyed by hubris.
It is difficult to imagine Luke Skywalker ever losing his focus, or his hope. In the words of Mark Hamill himself, “Luke would never do that, he would find a way.”
So we see a glimpse of the conflict continue between Mark Hamill’s vision for his character, and the one written for him to portray. Rian Johnson stated in defense that he needed Luke to be like Obi-Wan forty five years ago.
An older, wise sage to a younger generation. Every scene involving Luke was painful to watch, because none of it felt right. The most controversial and least liked scene of the entire film was the force projection of Luke dueling with Ben Solo.
Even the timing of Luke’s untimely death was contested by Mark Hamill, to no avail. Though there are many more aspects of the film that created uncontrollable backlash from fans, I have chosen to focus on these aspects for a reason.
Luke Skywalker appearing weary to an old friend, R2D2
The Last Jedi, in my opinion was the worst film in the franchise to date. It failed to develop the story of Rey, choosing rather to make her character a nobody, rather than a part of the Skywalker lineage.
Where she should have found control and discipline, we see disorder. Where she should have gained insight into a powerful past, we learn that her parents were just “filthy junk traders who sold her for drinking money.”
For those believing that those words were an intentional misdirection, I urge you to research Rian Johnson’s statement on that issue. His intent was to make Rey a nobody, and so he dashed to pieces the hopes of millions of fans worldwide.
From day one everything that was hinted at in The Force Awakens told us that she was somebody important, with J.J. Abrams himself stating that he intended for her origin to be of significant importance.
So why the change? Why the abuse and detriment of Luke Skywalker? To answer those questions, we must look at several decisions made.
First, unlike with George Lucas, there was no complete outline written for these films in advance. Each film was written and directed by a different person, with different visions.
Though there was creative discussions between Abrams and Johnson, there was no set path for them to agree upon. There was no outlined story treatment as in years past.
This in and of itself created the failures that we have seen. As part of the proposal for Disney to acquire Lucasfilm, George Lucas was required to present a draft of his version of the sequel films.
Unknown to fans, Lucasfilm was in the early stages ofdevelopment for Episode VII, when it was sold to Disney. Bob Iger ( and subsequently Kathleen Kennedy) rejected Lucas’ version of the story, as well as rejecting him as an advisor during production.
(When Gareth Edwards was tapped to direct Rogue One A Star Wars story, he flew George Lucas to Pinewood in London to get his input on production.
“George really liked what he saw” is what Gareth was later quoted as saying. I believe that Disney disagreed with the young director’s bold move to involve Lucas, and brought in a second director to conduct re-shoots as a form of reprimand.
Unlike the rumors swirling that Rogue One was a production nightmare like Solo, they simply weren’t true.
Nothing occurred during production of Rogue One that would necessitate either Lucasfilm or Disney to either question or remove Gareth Edwards as the film’s director.
The only changes that were agreed upon and made revolved around the film’s ending, which Gareth was not only a part of, but directing.
(Later on the tone would change as Lucas continued to be used as an off screen consultant. The Last Jedi may have been a financial success, but it was an utter failure as an integral chapter in the Star Wars universe.)
In addition to there not being an established story treatment for all three films in the sequel trilogy, there seemed to be an almost violent resistance by director Rian Johnson to accept input from Mark Hamill.
Had Johnson stopped to consider the role that he had prepared for mark’s character from his perspective, then surely it would have necessitated rewriting the script to adapt to a new direction.
In hindsight, the overall film may have only changed subtlety, but it would have given us a far richer story that would have been less fragmented.
In addition to Luke’s role, the Mary Poppins flight of Princess Leia, and the death of Admiral Ackbar are also thorns in the flesh for Star Wars fans.
One kills off a very memorable character in a very disrespectful manner; while the other portrays Leia in a very unbelievable and silly scene written just for the sake of having her character.
These are just three very noticeable, and unjustifiable mistakes made during the production of The Last Jedi. In my opinion they are arguably some of the poorest examples of storytelling that I have yet to see in a film.
With the conclusion of The Last Jedi, perhaps you were like me and left the theater still liking the overall movie, but disagreeing with the story ( I think that fact should at least be apparent by now).
So where does that leave us? And what are we to take away from this experience? First, the backlash from this film did not go unnoticed at Disney or Lucasfilm.
In fact, Kathleen Kennedy has stated this year that The Rise of Skywalker will live up to the Hype. I apologize if I am skeptical at this point. After all, we just saw the worst STAR WARS film in history!
Not to mention that three prominent characters die, having had no real depth to their story. (One of them in fact, Lieutenant Tallie Lintra, only had twelve seconds of screen time, before being blown out the hanger bay of the Raddus.
I don’t think that a character could have been wasted as fodder anymore than she was.) Next, we should not get fixated on the failures of this film, but rather see the moments that it did give us.
Lieutenant Tallie Lintra, the hottest new babe in Star Wars, gets twelve seconds of screen time before she’s gone!
In closing, the failures and success of The Last Jedi are influenced by our own point of view. For ultra passionate fans of Star Wars, we see it for what it failed to be.
It was and will always be a missed opportunity to deliver a truly great chapter at the end of a story. Many like myself have invested their entire life to Star Wars in some way or another, and this failure resonates deeply within.
Still others will see it as a great movie, and argue for it’s praises. Whatever side of the aisle you may be upon, The Last Jedi has in many ways, set the tone for The Rise of Skywalker.
The fate of the Star Wars universe is literally hanging in the balance, and in my third and final article on this subject, I will discuss what we know, and what we might expect from the final film in the Skywalker Saga.
Seven years ago, Star Wars fans learned that Disney had reached an agreement with George Lucas to purchase Lucasfilm for 4.4 Billion dollars.
Bob Iger, CEO of Disney, wasted no time in announcing their plans to continue the adventures in a galaxy far, far, away with new films.
I would be lying if I said that I was anything but shocked. My initial thoughts were that Mr. Lucas must be ill, and unable to continue working; in actuality, nothing could be further from the truth.
Three years later in December 2015, Disney and Lucasfilm released Episode VII The Force Awakens. It would be the first film in a new trilogy meant to close out the story of the Skywalker family.
As I sat in the nearly empty theater, I was in tears for most of the film, and at the end I was all out balling at the sight of Luke Skywalker, who uttered not a single word!
As time went on, I began to pick apart things that I had seen, and soon discovered from sources within that all was not as it appeared.
Today, I want to take a look back at the direction that Disney and Lucasfilm have taken the sequel trilogy, and what we might expect from Episode IX.
I also want to reveal things that I have learned, as well as sharing my own point of view on this subject. Due to security concerns, the identities and job titles of these sources will not be listed.
They are however they are readily available online, and known to most who keep track of this sort of thing. So, without haste, let us eat a little, drink a lot, and discuss business…
The Force Awakens: Reinventing
the wheel
Mark Hamill once stated that J.J. Abrams asked him how he could recapture what George Lucas had done with the original trilogy, to which Mark simply replied “You can’t.”
I learned of this conversation after The Force Awakens was released, and yet it’s gravity was immediately apparent.
I believe that Mark’s reply to Abrams was meant to convey that whatever story that he chose to tell, would have to be of his own doing. There simply is no way to copy someone else’s success.
For months I had read reports that the film was meant to be a soft reboot of sorts to the franchise, with a source close to production at Pinewood stating that very fact.
( Allow me to digress here and state that I am not a fan of reboots of any production. I often wonder why there isn’t anyone capable of writing new stories for films, without re-writing someone else’s work? I mean, shouldn’t that be a form of plagiarism?)
There are to be certain, many parallels between Episode VII and A New Hope. The wide angle shots of Rey on Jakku, the Starkiller base, and the Resistance attack on it are but a few familiar call backs that we see.
Others include The castle on Takadona, which emulates the MosEisley Cantina, as well as Rey herself emulating Luke in various scenes. We are also familiar with George Lucas’ vision, as well as his approach to storytelling.
He relied heavily upon Joseph Campbell’s mono myth, and the twelve stages of a hero’s journey to write Star Wars.
Campbell outlined a pattern of writing in which all things were interconnected, and eventually repeated themselves in some way, commonly called the ring structure.
In some ways, I could see the justification for continuing this method by a new writer/director. After all, why try to reinvent the wheel?
The sun sets on the horizon of Niima Outpost on the planet Jakku
Yet in some ways, I think that is exactly what Disney and Lucasfilm wanted to do with this trilogy, beginning with The Force Awakens.
I think that their intention was to retain elements that were familiar to fans of the original trilogy, while introducing new elements that could more readily be related to by younger viewers.
That intent has both a positive as well as a negative consequence. The positive connotation here is that in addition to the characters and stories that we are already familiar with, new heroes and villains emerge.
With that, we get to experience a whole new chapter in the Star Wars universe. The negative aspect that I see from this is that Disney is using the new characters, films, ext. to establish a new fan base ( and thereby a new base of consumers) from which to market to.
You’re probably thinking right now, “of course they did? How else are they supposed to make money?”
From my isolated perspective, I see the success of The Force Awakens. It excites the fans, they become enamored about Star Wars again.
Maybe they’re like me, and they left the theater for Wal-Mart, looking for a new action figure! In all seriousness, you get my point here.
One of the previously mentioned elements that they used is the protagonist herself, Rey. From the very first moment that we meet her on screen, Rey is somewhat of a mystery.
Where we learn a great deal about Luke early on in A New Hope, we know nothing about Rey four years later!
To complicate the story even more, we have the character of Finn, who in my opinion, is meant to be used as a Red Herring in The Force Awakens, ( and to a lesser degree in The Last Jedi.)
We know nothing about him, either, and are left to wonder throughout the film who the real hero or Jedi actually is. I understand that this was done to conceal Rey’s powers, but at the same time it is a question that still exists today, and remains to be answered.
We see Rey begin a journey, again much like Luke did some forty five years prior, but in a different way. Her path is not as clearly defined as Luke’s.
For example, the Force vision in Maz Kanata’s castle, and her talk with Rey, all point to Rey possibly being Luke’s daughter, as well as a new Jedi. Yet at no time has Disney or Lucasfilm ever acknowledged any of that.
Even today, Lucasfilm will not identify Rey as a Jedi in training, much less a Jedi Knight. So why all of the secrecy? Why allow fans to wane from burn out?
It begs to wonder what type of cinematic storytelling plot is at play here, and what are the fans to expect? Certainly no one expected the conclusion to the final act to not be a conclusion at all, but a cliffhanger.
Least of all, Mark Hamill himself. His only scene was delivering a painful gaze at a young girl. Rather than have some of our questions answered, we have none of them answered, and more are added to them.
I think that if there was any real idea from day one who Rey was or would become, that they used that idea to build upon as they went, rather than following the flow of an established outline.
J.J. Abrams has been quoted as saying that during his initial interview with Kathleen Kennedy, she asked him the question “who is Luke Skywalker?”
The details of that meeting have not been revealed, but certainly that question as vague as it is, seems to have little effect on what we have seen thus far.
After all, Luke Skywalker is just the central character of the Skywalker saga, and forty five years later, shouldn’t he have more to do than stand on a rock gazing at the ocean?
Jedi Master Luke Skywalker on the cliffs of Ach-To
Many critics of George Lucas believe that he too, had no established outline before production began on A New Hope, when in fact the opposite is true.
He had, in essence, a twelve part saga, which he re-wrote into nine parts. So the outline was present, with certain details being changed at various points in the production process.
These changes were made to aide in the plot of the script. (Those for example, who state that Vader was never intended to be Luke’s father, must go back to Obi-Wan’s account of Anakin’s death in A New Hope.)
The Force Awakens was a box office success, but will it be remembered as a great story, or as a re imagining of an unrivaled classic?
I guess that really depends upon your own point of view. Next week in part two, we will examine the lessons learned from The Last Jedi, and it’s impact upon the Skywalker Saga.
For those who have been asking about Photo Real, it is a proprietary technology developed by Hasbro’s Asian Division, for use on their action figures.
Specifically, the technology was developed for use on both the Marvels Legends assortment, as well as the Star Wars Black Series six inch figures.
The first Black Series figure released with this new design was DJ (Canto Bight, no. 57) from The Last Jedi assortment.
The technology has now been expanded to include the Vintage Collection 3.75 action figures as well as the Black Series assortment.
Star Wars The Black Series DJ (Canto Bight) by Hasbro. ( photo: starwars.com)
Though the details of the process are corporate secrets, we do know the general processes used. First, a three dimensional head sculpt of the character is created using high resolution images of the actors in costume.
These images are taken from every angle, and often include actual screen still captures as well. Once the blank mold is created, it is then overlaid with multiple images that are layered onto the cast in a program.
These layers take larger segments of the actor’s facial features, and divide them into smaller sections in order to maximize details.
Once the overlay process is complete, it is hand painted. This completed cast is used to print another rubber cast, which is then broken down into sections. These sections are then used to mass produce the head sculpt at a later date.
The final printing process is the primary feature that Hasbro is silent about. For the most part, the figures look realistic, though I have seen several Black Series figures where the eye placement was off.
I will say that the Marvel Legends figures seem to be a better quality than the Black Series figures are. Case in point, look at the image of the Wasp from Ant Man. The head sculpt is identical to the actress, Evangeline Lilly.
The Star Wars figures do not have that same level of detail, and only Hasbro can answer why. The ability is certainly there, but the Marvel figures appear thus far to be the most life like in appearance to the actors they represent.
Before the Photo Real process was developed, the same character scans used by Hasbro were also used by every company creating figures, including Sideshow.
Known for their extreme articulation and lifelikeness, the Sideshow figures command a much higher price point, and the value is apparent right out of the box.
Marvel Legends The Wasp ( photo courtesy of shesfantastic.com)
Hasbro’s newest series, HyperReal, is set to debut Quarter three of this year, and will also utilize the Photo Real technology.
I believe that this line will feature far greater detail than the Black Series figures, and this is due in part to the scale.
One sixth scale figures feature more surface area on their head sculpts, allowing for greater detail and lifelike features to be incorporated.
The goal of the Photo Real technology was to take that same level of detail, and scale it down for use on the one twelfth scale figures like the Black Series and Marvel Legends.
Action figures have undergone many changes over the past forty five years, and Star Wars is no exception.
Most of these changes have been for the better, however some have been made strictly to cut cost.
With the role of expanding technology and companies under pressure to save money, ideas like Photo Real will become increasingly vital to the survival of the collector’s market, and toy industry at large.
If you have seen any of the original trilogy Star Wars films, then you have certainly seen the Empire’s favorite PR guys, the Stormtroopers.
These Imperial soldiers are an elite contingent within the Imperial Army. The Stormtrooper Corps is a shock force used in support of ongoing Imperial conflicts, as well as serving as an occupational force on Imperial controlled worlds.
They are deployed on every Imperial vessel, and often serve as elite security teams for high ranking officers and officials.
Stormtroopers are divided into divisions, and include specialized compartmentalized units within their ranks as well.
Their presence is as much a psychological deterrent as a military force, and just their appearance is often enough to bring order to a chaos.
Stormtroopers utilize specialized body armor, that is derived from the original armor used in the clone wars. The armor consists of eighteen pieces, plus a fully enclosed helmet.
It is designed to both protect the wearer from light blaster fire, as well as varying atmospheric and climatic conditions. It is lightweight, durable, and strong.
When deadly force is required, Stormtroopers are equipped with the standard Blastech E-11 carbine, which uses a small macroscope to aide in target aquisition.
So if their weapons have scopes, then why don’t they use them? The short answer is, they can and they do. A Stormtrooper’s helmet contains a remote link to their weapon sights, which appear as a small Heads Up Display ( HUD) on their helmet’s eye lens.
This targeting reticle is super imposed over the threat, allowing the Stormtroopers to fire their weapon without actually acquiring a proper sight picture.
Stormtroopers board the Tantive IV
In Rogue One A Star Wars Story, we see a squad of Stormtroopers serving as a dismounted patrol around an Imperial Assault tank.
When the tank is ambushed by insurgents, the troopers are taken by surprise, but quickly begin to recover. They take up defensive positions around the tank, and aim their weapons using the actual sights.
This is a departure from what we have previously seen on screen, albeit it is a more realistic portrayal of military tactical shooting techniques.
All Stormtroopers would of necessity be required to become expert marksman, before being trained in the use of remote sight aquisition through electronic aides.
It’s a great example of soldiers instantly falling back to their training, and using crucial skills to eliminate the threat, and stay in the fight.
Stormtroopers ambushed on Jedha engaging threats
Stormtroopers are among the most highly trained soldiers in the galaxy, and the most well equipped. They have the ability and the armament to engage and eliminate any threat that they may face, making them a deadly adversary for the Rebel Army.
For weeks now we have heard that actor Matt Smith will portray a Sith acolyte in Star Wars The Rise of Skywalker.
The part of this rumor that is most fascinating, is that this acolyte will in fact be posessed by the spirit of Darth Sidious!
That’s right; Emperor Palpatine himself is said to return, only as a spirit from the netherworld of the Force.
During Revenge of the Sith, it was Palpatine who shared with a young Anakin Skywalker the Sith legend of Darth Plagieus the wise, and his ability to manipulate the midichlorians.
This dark side power enabled the Sith Lord to prevent others from dying; it did not however prevent himself from being killed by his young apprentice, Darth Sidious.
Chancellor Palpatine/ Darth Sidious and Anakin Skywalker
Since Darth Sidious/ Palpatine learned this evil ability, then it stands to reason that he had the ability to use it as well.
For this to be done in Episode IX, I want to look further back to a light side force user, a Jedi Knight, for answers on how it could play out.
In Star Wars Revenge of the Sith, Jedi master Yoda informs Obi-Wan Kenobi that his old master, Qui-Gon John, has returned from the netherworld of the Force.
It is implied that Qui-Gon has conversed with Yoda; something we see in Star Wars The Clone Wars.
If then a Jedi can maintain their eternal consciousness, then why not a Sith? In Legends material, it has been seen more than once, including with Emperor Palpatine.
This then is a highly probable plot twist for Episode IX. It seems likely that if this is indeed accurate, that Kylo Ren and Rey joining forces to defeat the Emperor is also plausible.
It would certainly make for an interesting plot, and would be a fitting way to bring a conclusion to the Skywalker Saga.
Fans the world over have waited for thirty six years to see a fitting end for their hero Luke Skywalker, and though The Last Jedi failed to offer that, then perhaps the story will come full circle, and bring closure in Episode IX, with both the hiers and legacy of the Force.